Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 95
... thee ' ; while Macbeth continues to call her ' thee ' and ' love'.9 Shakespeare also indicates changes of pace and tone . He first experiments with this in the comic patter of Launce , Costard and Lancelot Gobbo , and then applies it ...
... thee ' ; while Macbeth continues to call her ' thee ' and ' love'.9 Shakespeare also indicates changes of pace and tone . He first experiments with this in the comic patter of Launce , Costard and Lancelot Gobbo , and then applies it ...
Side 114
... thee , and when I love thee not , Chaos is come again . straight into this naturalistic - sounding exchange ( albeit under- pinned by iambic pentameters ) . IAGO My noble lord . OTHELLO What dost thou say , Iago ? IAGO Did Michael ...
... thee , and when I love thee not , Chaos is come again . straight into this naturalistic - sounding exchange ( albeit under- pinned by iambic pentameters ) . IAGO My noble lord . OTHELLO What dost thou say , Iago ? IAGO Did Michael ...
Side 120
... demented is he allowed to lacerate society : The usurer hangs the cozener . Through tattered rags small vices do appear ; Robes and furred gowns hides all . Get thee glass eyes , And , like a scurvy politician , seem To see 120 REHEARSAL.
... demented is he allowed to lacerate society : The usurer hangs the cozener . Through tattered rags small vices do appear ; Robes and furred gowns hides all . Get thee glass eyes , And , like a scurvy politician , seem To see 120 REHEARSAL.
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote