Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 154
... telling yourself to ' Concentrate ' , that will just make you tense . Clear your mind , keep focused , and remember ... tell them . We should by now have made up our mind what we're going to do . Certain things should have become ...
... telling yourself to ' Concentrate ' , that will just make you tense . Clear your mind , keep focused , and remember ... tell them . We should by now have made up our mind what we're going to do . Certain things should have become ...
Side 156
... tell their story . Directors are fond of telling casts on opening night , ' Just go out and tell the story . ' I have always found this rather glib : this instruction has to be broken down into its component parts to be of real use ...
... tell their story . Directors are fond of telling casts on opening night , ' Just go out and tell the story . ' I have always found this rather glib : this instruction has to be broken down into its component parts to be of real use ...
Side 221
... telling my story in real time . And as far as I know , in any Shakespeare I've done , no character ever lies to the ... tell the story that way . But Shakespeare's theatre can also accommodate what we might call Chekhovian naturalism ...
... telling my story in real time . And as far as I know , in any Shakespeare I've done , no character ever lies to the ... tell the story that way . But Shakespeare's theatre can also accommodate what we might call Chekhovian naturalism ...
Almindelige termer og sætninger
acting action actor ambiguity Angelo Antony audience backstory Benedick BIRON boy player breath Brutus Burbage cast character character's Cicely Berry Claudius Cleopatra clown comedy comic Coriolanus death director disguise Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter Henry Iago iambic iambic pentameter imagination irony Isabella Judi Dench King Lear Lady Macbeth language Lear's Leontes London look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Twelfth Night verse Viola voice women words writing wrote