Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 34
Oliver Ford Davies. THE STRUcture of the verse There are a number of other structural devices that help us to serve the verse . Where there are eleven syllables the final one is usually unstressed now called a LIGHT ENDING . The most ...
Oliver Ford Davies. THE STRUcture of the verse There are a number of other structural devices that help us to serve the verse . Where there are eleven syllables the final one is usually unstressed now called a LIGHT ENDING . The most ...
Side 63
... structure . The five - act structure was a classical convention of Terence and Plautus and was introduced into all of Shake- speare's plays by the editors of the first folio . Though clearly marked in Henry V by the Chorus , no plays ...
... structure . The five - act structure was a classical convention of Terence and Plautus and was introduced into all of Shake- speare's plays by the editors of the first folio . Though clearly marked in Henry V by the Chorus , no plays ...
Side 101
... structure . Lear abdicates and is driven out into the open air , in his madness he realises truths about humanity and society , on his recovery he is reconciled with Cordelia and they die together . The turning point is perhaps his ...
... structure . Lear abdicates and is driven out into the open air , in his madness he realises truths about humanity and society , on his recovery he is reconciled with Cordelia and they die together . The turning point is perhaps his ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote