Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 37
... stays here longer . LEONTES Ha ? CAMILLO Stays here longer . LEONTES Ay , but why ? CAMILLO To satisfy your highness , and the entreaties Of our most gracious mistress . LEONTES Satisfy ? ( The Winter's Tale , 1.2.229-35 ) The folio ...
... stays here longer . LEONTES Ha ? CAMILLO Stays here longer . LEONTES Ay , but why ? CAMILLO To satisfy your highness , and the entreaties Of our most gracious mistress . LEONTES Satisfy ? ( The Winter's Tale , 1.2.229-35 ) The folio ...
Side 100
... stay reasoned and in control . There are always two energies at work in Shakespeare's speeches : the energy of the whole thought , and the energy of the individual phrases . If passion and temperance , phrase and sentence , have to be ...
... stay reasoned and in control . There are always two energies at work in Shakespeare's speeches : the energy of the whole thought , and the energy of the individual phrases . If passion and temperance , phrase and sentence , have to be ...
Side 186
... stay in disguise , and embark on a complex and risky scheme . His motive for this is the key to the part . It's possible that the Duke , as God's deputy on earth ( Angelo later refers to his ' power divine ' ) , is in fact a Christ ...
... stay in disguise , and embark on a complex and risky scheme . His motive for this is the key to the part . It's possible that the Duke , as God's deputy on earth ( Angelo later refers to his ' power divine ' ) , is in fact a Christ ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote