Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 8
... stage jutted out into the central yard , where the groundlings could partly surround it . If it was similar to the smaller Fortune , built the following year , it had a stage 43 feet wide by 27 1⁄2 feet deep and about 5 feet high . This ...
... stage jutted out into the central yard , where the groundlings could partly surround it . If it was similar to the smaller Fortune , built the following year , it had a stage 43 feet wide by 27 1⁄2 feet deep and about 5 feet high . This ...
Side 246
... stage . Further away I had to settle on shapes of people , but there was something very inter- esting in having to ... stage for only five or six minutes . Actors would enter the stage with different energies , and sometimes they wouldn ...
... stage . Further away I had to settle on shapes of people , but there was something very inter- esting in having to ... stage for only five or six minutes . Actors would enter the stage with different energies , and sometimes they wouldn ...
Side 263
... Stage 1574-1642 , Cambridge University Press , 1992 , and The Shakespeare Company 1594- 1642 , Cambridge University Press , 2004. Peter Thomson's Shakespeare's Professional Career , Cambridge University Press , 1992 and On Actors and ...
... Stage 1574-1642 , Cambridge University Press , 1992 , and The Shakespeare Company 1594- 1642 , Cambridge University Press , 2004. Peter Thomson's Shakespeare's Professional Career , Cambridge University Press , 1992 and On Actors and ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote