Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 28
... sound of words communicates at a deeper level than simple meaning - a theme we shall constantly return to . Viola's line ' How will this fadge ? ' may look difficult to us on the page : in the theatre it seems to be readily understood ...
... sound of words communicates at a deeper level than simple meaning - a theme we shall constantly return to . Viola's line ' How will this fadge ? ' may look difficult to us on the page : in the theatre it seems to be readily understood ...
Side 48
... sound : ' Rumble thy bellyful ; spit , fire ; spout , rain . ' We need to be aware of these devices and use them , without leaning on them too heavily . ALLITERATION , the repetition of the sound of a consonant , will usually do its ...
... sound : ' Rumble thy bellyful ; spit , fire ; spout , rain . ' We need to be aware of these devices and use them , without leaning on them too heavily . ALLITERATION , the repetition of the sound of a consonant , will usually do its ...
Side 94
... sound spontaneous . Two cautionary notes . First , it's not finally how we say the lines ; it's why , to whom , and with what intention . Second , Shakespeare in translation is so popular in other countries it must follow that his power ...
... sound spontaneous . Two cautionary notes . First , it's not finally how we say the lines ; it's why , to whom , and with what intention . Second , Shakespeare in translation is so popular in other countries it must follow that his power ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote