Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 102
Oliver Ford Davies. SOLILOQUY Shakespeare didn't invent the SOLILOQUY , but he pounced upon it and changed it almost out of recognition . It's a parti- cular stage convention that a character is left alone and begins to speak out loud ...
Oliver Ford Davies. SOLILOQUY Shakespeare didn't invent the SOLILOQUY , but he pounced upon it and changed it almost out of recognition . It's a parti- cular stage convention that a character is left alone and begins to speak out loud ...
Side 105
... soliloquy achieves maturity in Hamlet's various debates with himself , though sometimes these are so far - reaching and consuming that the plot can hardly contain them . My favourite , ' How all ... soliloquy . Charac- SOLILOQUY 105.
... soliloquy achieves maturity in Hamlet's various debates with himself , though sometimes these are so far - reaching and consuming that the plot can hardly contain them . My favourite , ' How all ... soliloquy . Charac- SOLILOQUY 105.
Side 106
... soliloquy ' . Lear's ' Blow winds and crack your cheeks ' and ' Poor naked wretches ' may be spoken with the Fool and Kent on stage , but Lear seems oblivious to them . The presence of Charmian and Iras doesn't prevent Cleopatra from ...
... soliloquy ' . Lear's ' Blow winds and crack your cheeks ' and ' Poor naked wretches ' may be spoken with the Fool and Kent on stage , but Lear seems oblivious to them . The presence of Charmian and Iras doesn't prevent Cleopatra from ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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