Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 81
... reason that Shakespeare didn't have to take that into account . He switched the action from battlements to bedroom ... reasons that chamber or in - the - round productions , with the barest of sets , work so well for Shakespeare . Romeo ...
... reason that Shakespeare didn't have to take that into account . He switched the action from battlements to bedroom ... reasons that chamber or in - the - round productions , with the barest of sets , work so well for Shakespeare . Romeo ...
Side 172
... reason and your emotion . As the director Jerzy Grotowski says , ' Spontaneity and discipline are the basic aspects ... reasons actors respond to Shakespeare is because they recognise in him that union of spontaneity and discipline ...
... reason and your emotion . As the director Jerzy Grotowski says , ' Spontaneity and discipline are the basic aspects ... reasons actors respond to Shakespeare is because they recognise in him that union of spontaneity and discipline ...
Side 188
... reason and moderation . Everything in the prison surprises the Duke and takes him off balance . It's vital to play this surprise , and to appear to be improvising as he goes along : even the advantaging of Mariana seems to me to be best ...
... reason and moderation . Everything in the prison surprises the Duke and takes him off balance . It's vital to play this surprise , and to appear to be improvising as he goes along : even the advantaging of Mariana seems to me to be best ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote