Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 66
... realised that ' Thersites is a movable feast , that his function in the play was determined as much by audience response and by my own state of mind at the time of playing as it was by the work I did in rehearsal . I also realise that ...
... realised that ' Thersites is a movable feast , that his function in the play was determined as much by audience response and by my own state of mind at the time of playing as it was by the work I did in rehearsal . I also realise that ...
Side 162
... realised that stillness could also provide focus : Every year it's got smaller , and now it seems very intimate to me ... realise there's the alternative magnetic force of creating a vacuum inside , and drawing people towards us.15 In ...
... realised that stillness could also provide focus : Every year it's got smaller , and now it seems very intimate to me ... realise there's the alternative magnetic force of creating a vacuum inside , and drawing people towards us.15 In ...
Side 252
... realise that it might be about something different , and so on that night that choice is your discovery . That's the joy of live performance and of repetition - it's beyond science . An actor works from moment to moment , and yet ...
... realise that it might be about something different , and so on that night that choice is your discovery . That's the joy of live performance and of repetition - it's beyond science . An actor works from moment to moment , and yet ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote