Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 59
... push the boundaries , and our acting should reflect this . We should always be looking for new ways to make the plays relevant to the moment . We're not setting out just to please an audience , but to provoke them and make them question ...
... push the boundaries , and our acting should reflect this . We should always be looking for new ways to make the plays relevant to the moment . We're not setting out just to please an audience , but to provoke them and make them question ...
Side 66
... slender plot - line of Troilus and Cressida - it is in his gift to push the audience's response in the direction he chooses.'5 RESEARCH Robert de Niro and Michael Gambon differ on RESEARCH 66 PREPARATION Function in the Play.
... slender plot - line of Troilus and Cressida - it is in his gift to push the audience's response in the direction he chooses.'5 RESEARCH Robert de Niro and Michael Gambon differ on RESEARCH 66 PREPARATION Function in the Play.
Side 246
... push the speech up to God at the back of the circle . Declan Donnellan has this great thing about the importance of changing , that the impulse for the breath is seeing the lack of what you wish to see in the other character's face ...
... push the speech up to God at the back of the circle . Declan Donnellan has this great thing about the importance of changing , that the impulse for the breath is seeing the lack of what you wish to see in the other character's face ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote