Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 41
... PROSE Over a quarter of Shakespeare's text is in PROSE , though the balance varies from play to play . He never repeated his early experiments with writing entirely in verse in King John and Richard II . In a later play the Gardeners ...
... PROSE Over a quarter of Shakespeare's text is in PROSE , though the balance varies from play to play . He never repeated his early experiments with writing entirely in verse in King John and Richard II . In a later play the Gardeners ...
Side 43
... prose : Out , damned spot ; out , I say . One , two , - why , then ' tis time to do't . Hell is murky . Fie , my lord , fie , a soldier and afeard ? ( 5.1.30-2 ) Both these passages allow great ... PROSE INTO VERSE 43 Prose into Verse.
... prose : Out , damned spot ; out , I say . One , two , - why , then ' tis time to do't . Hell is murky . Fie , my lord , fie , a soldier and afeard ? ( 5.1.30-2 ) Both these passages allow great ... PROSE INTO VERSE 43 Prose into Verse.
Side 44
... prose , but then she too goes into verse as she becomes more interested in him / her ( see pp . 201–2 ) . After ' To be or not to be ' Ophelia starts her scene with Hamlet in verse , but Hamlet's sudden attack on ' Ha , ha ! Are you ...
... prose , but then she too goes into verse as she becomes more interested in him / her ( see pp . 201–2 ) . After ' To be or not to be ' Ophelia starts her scene with Hamlet in verse , but Hamlet's sudden attack on ' Ha , ha ! Are you ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote