Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 60
... present actors with a newly typed A4 text , which is easy to read and has room to write on ( since there will be no notes it's best to have a printed edition to hand ) . This ' director's text ' will usually contain cuts . This is a ...
... present actors with a newly typed A4 text , which is easy to read and has room to write on ( since there will be no notes it's best to have a printed edition to hand ) . This ' director's text ' will usually contain cuts . This is a ...
Side 115
... present generation's drive to make the language sound fresh , immediate and contemporary has made the plays much more accessible , but there is a limit to how far we can natur- alise the verse . If Othello says , ' Farewell the neighing ...
... present generation's drive to make the language sound fresh , immediate and contemporary has made the plays much more accessible , but there is a limit to how far we can natur- alise the verse . If Othello says , ' Farewell the neighing ...
Side 252
... present , the now . As I've got older I have tried not to let the head dominate the work with quite the same intensity as when I was younger . Of course you always think through the words , but I now realise that in life the bio ...
... present , the now . As I've got older I have tried not to let the head dominate the work with quite the same intensity as when I was younger . Of course you always think through the words , but I now realise that in life the bio ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote