Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 18
... person's complex and varied psychology , didn't emerge till the birth of the novel in the mid - eighteenth century . It is true that to the Elizabethans ' character ' meant simply handwriting or a distinctive mark , but it would be hard ...
... person's complex and varied psychology , didn't emerge till the birth of the novel in the mid - eighteenth century . It is true that to the Elizabethans ' character ' meant simply handwriting or a distinctive mark , but it would be hard ...
Side 142
... person is coursing through your veins , is breathing through your lungs . But of course , it's not . It's only you another arrangement of you . ' An actor can only play aspects of herself , not some construct of another person . It's ...
... person is coursing through your veins , is breathing through your lungs . But of course , it's not . It's only you another arrangement of you . ' An actor can only play aspects of herself , not some construct of another person . It's ...
Side 246
... person in the back row because I felt like a politician , which is how Nick Hytner's production was struc- tured in its modern setting . Because war and its problems were current at the time , I felt I could stand and talk to the ...
... person in the back row because I felt like a politician , which is how Nick Hytner's production was struc- tured in its modern setting . Because war and its problems were current at the time , I felt I could stand and talk to the ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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Almindelige termer og sætninger
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote