Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 36
... PAUSES . We can take a pause at the end of a line if the sense and the emotion justify it . Pausing to search for a word or phrase is a commonplace of modern naturalism , but it should be used very sparingly in blank verse . Shakespeare ...
... PAUSES . We can take a pause at the end of a line if the sense and the emotion justify it . Pausing to search for a word or phrase is a commonplace of modern naturalism , but it should be used very sparingly in blank verse . Shakespeare ...
Side 37
... pauses . Camillo might pause before repeating ' Stays here longer ' , or Leontes might then take a pause trying to gauge how much Camillo knows , or Camillo might pause after ' Ay , but why ? ' as he tries to phrase a diplomatic answer ...
... pauses . Camillo might pause before repeating ' Stays here longer ' , or Leontes might then take a pause trying to gauge how much Camillo knows , or Camillo might pause after ' Ay , but why ? ' as he tries to phrase a diplomatic answer ...
Side 169
... pauses that count . ' Shakespeare was a master of the PAUSE , the silence , the still moment , all of which draw the audience's energy towards the action . If he'd been able to state ' Beat ' or ' Pause ' , or mark two or three dots ...
... pauses that count . ' Shakespeare was a master of the PAUSE , the silence , the still moment , all of which draw the audience's energy towards the action . If he'd been able to state ' Beat ' or ' Pause ' , or mark two or three dots ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote