Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 61
... night And stol'n my love's heart from him ? ( A Midsummer Night's Dream , 3.2.283–5 ) ' O me ' ( Flat : you've taken my breath away ) , ' You . . . ' ( what words are bad enough for Helena ) ' juggler ' ( Shout : great tall sexy acrobat ) ...
... night And stol'n my love's heart from him ? ( A Midsummer Night's Dream , 3.2.283–5 ) ' O me ' ( Flat : you've taken my breath away ) , ' You . . . ' ( what words are bad enough for Helena ) ' juggler ' ( Shout : great tall sexy acrobat ) ...
Side 82
... night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to fairy mortals ? ) sticks easily ; ' want their winter cheer ' and ' no night is now ' have a monosyllabic rhythm and ...
... night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to fairy mortals ? ) sticks easily ; ' want their winter cheer ' and ' no night is now ' have a monosyllabic rhythm and ...
Side 156
... Night and As You Like It make the likely direction of the action clear . More important for the actor , the characters are conscious that they are about to take part in a story . When Romeo discovers Juliet is a Capulet , he immediately ...
... Night and As You Like It make the likely direction of the action clear . More important for the actor , the characters are conscious that they are about to take part in a story . When Romeo discovers Juliet is a Capulet , he immediately ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote