Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 4
... Lord Chamberlain's Men based at the Theatre in Shoreditch , the Lord Admiral's Men at the Rose in Southwark , and the Queen's Men formed in 1583 to tour and make court appearances.1 Shakespeare therefore could have become hooked on ...
... Lord Chamberlain's Men based at the Theatre in Shoreditch , the Lord Admiral's Men at the Rose in Southwark , and the Queen's Men formed in 1583 to tour and make court appearances.1 Shakespeare therefore could have become hooked on ...
Side 6
... Lord Strange's company into the newly re - formed Lord Chamberlain's Men . We don't know how he raised such a large sum ( many thousands in modern terms ) . It may have been through an aristocratic patron like the Earl of Southampton ...
... Lord Strange's company into the newly re - formed Lord Chamberlain's Men . We don't know how he raised such a large sum ( many thousands in modern terms ) . It may have been through an aristocratic patron like the Earl of Southampton ...
Side 114
... lord . OTHELLO What dost thou say , Iago ? IAGO Did Michael Cassio , when you wooed my lady , Know of your love ... lord ? OTHELLO Honest ? Ay , honest . IAGO My lord , for aught I know . OTHELLO IAGO Think , my lord ? What dost thou ...
... lord . OTHELLO What dost thou say , Iago ? IAGO Did Michael Cassio , when you wooed my lady , Know of your love ... lord ? OTHELLO Honest ? Ay , honest . IAGO My lord , for aught I know . OTHELLO IAGO Think , my lord ? What dost thou ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote