Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 11
... later , there were dozens of out - of - work actors hanging round London waiting for ill - paid summer tours . REHEARSAL Rehearsal took place in the morning ( probably 9 a.m. to noon ) , performance in the afternoon ( 2 to 5 p.m. ) ...
... later , there were dozens of out - of - work actors hanging round London waiting for ill - paid summer tours . REHEARSAL Rehearsal took place in the morning ( probably 9 a.m. to noon ) , performance in the afternoon ( 2 to 5 p.m. ) ...
Side 13
... later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , mad- ness , royalty and comedy held greater ...
... later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , mad- ness , royalty and comedy held greater ...
Side 186
... later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio and ...
... later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio and ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote