Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 25
... language is a great enabler . But it is also at times a problem . A little help is needed to overcome this . First , and most obviously , the language is some- times archaic , and occasionally impenetrable . Words like ' biggin ...
... language is a great enabler . But it is also at times a problem . A little help is needed to overcome this . First , and most obviously , the language is some- times archaic , and occasionally impenetrable . Words like ' biggin ...
Side 88
... LANGUAGE reveal the essence of the work . The exchange of ideas and feelings through language is the central pivot of theatre , but in many ways theatre is fighting a rearguard action . Film has always placed dialogue a poor second to ...
... LANGUAGE reveal the essence of the work . The exchange of ideas and feelings through language is the central pivot of theatre , but in many ways theatre is fighting a rearguard action . Film has always placed dialogue a poor second to ...
Side 89
... language is barely heard or , when it is , twenty - four - hour television and radio has devalued its expression ... language that he reveals his most coherent attitude to life , and that it is language rather than plot which provides ...
... language is barely heard or , when it is , twenty - four - hour television and radio has devalued its expression ... language that he reveals his most coherent attitude to life , and that it is language rather than plot which provides ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote