Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Fra bogen
Resultater 1-3 af 87
Side 104
... It's nothing personal ; it's just Caesar's deter- mination to take the crown . A qualification : it's not the crown itself , it's how it might change his nature , since the powerful often lose any sense of conscience . A second ...
... It's nothing personal ; it's just Caesar's deter- mination to take the crown . A qualification : it's not the crown itself , it's how it might change his nature , since the powerful often lose any sense of conscience . A second ...
Side 157
... it's contributed to the story . The tendency to ' milk our moments ' may succeed in the short - term , but cause ... it's very important for the audience that the actors give that front of the story a sharpness by their attention to it ...
... it's contributed to the story . The tendency to ' milk our moments ' may succeed in the short - term , but cause ... it's very important for the audience that the actors give that front of the story a sharpness by their attention to it ...
Side 239
... It's a direct response to what has gone before . It's emotionally fevered and that's exciting ; but I love its technical requirements , too . There's something thrilling about knowing that you're doing a complete , single sentence here and ...
... It's a direct response to what has gone before . It's emotionally fevered and that's exciting ; but I love its technical requirements , too . There's something thrilling about knowing that you're doing a complete , single sentence here and ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
63 andre sektioner vises ikke
Almindelige termer og sætninger
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote