Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Fra bogen
Resultater 1-3 af 25
Side 82
... human mortals want their winter cheer . No night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to fairy mortals ? ) sticks easily ; ' want their winter cheer ' and ' no ...
... human mortals want their winter cheer . No night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to fairy mortals ? ) sticks easily ; ' want their winter cheer ' and ' no ...
Side 117
Oliver Ford Davies. only by the acceptance of paradox as being intrinsic to human behaviour that Lear or Hamlet , Othello ... human be- ing on a stage and are disposed to accept that whatever he does must have a unity and coherence . The ...
Oliver Ford Davies. only by the acceptance of paradox as being intrinsic to human behaviour that Lear or Hamlet , Othello ... human be- ing on a stage and are disposed to accept that whatever he does must have a unity and coherence . The ...
Side 219
... human being to do , it's what he's most fitted to do , he spends the whole day acting , why not make a living at it ? It's his humanity that I love most about Shakespeare : it gives me , against all my better instincts , a personal ...
... human being to do , it's what he's most fitted to do , he spends the whole day acting , why not make a living at it ? It's his humanity that I love most about Shakespeare : it gives me , against all my better instincts , a personal ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
63 andre sektioner vises ikke
Almindelige termer og sætninger
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote