Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 67
... feel that when he gets in front of a camera no one in the world has more right to be that person at that moment than him . He needs the research to feel absolutely confident that he has the right to play the part . " Gambon's line is ...
... feel that when he gets in front of a camera no one in the world has more right to be that person at that moment than him . He needs the research to feel absolutely confident that he has the right to play the part . " Gambon's line is ...
Side 150
... feel generosity towards the director . The director needs the actor's confidence , help and encouragement . CONCLUSION Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives ...
... feel generosity towards the director . The director needs the actor's confidence , help and encouragement . CONCLUSION Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives ...
Side 171
... feel strong emotions towards the person they are playing opposite . At some level Viola has to feel that she's in love with Orsino , and Iago that he hates the Moor - whatever their feel- ings backstage . Modern audiences are hyper ...
... feel strong emotions towards the person they are playing opposite . At some level Viola has to feel that she's in love with Orsino , and Iago that he hates the Moor - whatever their feel- ings backstage . Modern audiences are hyper ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote