Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 5
... enter- tainers - minstrels , jugglers , tumblers like Richard Tarlton - or comedians and dancers of jigs , like Will Kemp who played Dogberry and was probably the first Falstaff . Some actors were tradesmen , from goldsmiths to butchers ...
... enter- tainers - minstrels , jugglers , tumblers like Richard Tarlton - or comedians and dancers of jigs , like Will Kemp who played Dogberry and was probably the first Falstaff . Some actors were tradesmen , from goldsmiths to butchers ...
Side 8
... enter and exit ' severally ' . Behind was the dressing room , or ' tiring house ' . Above on a second level was a gallery , divided into sections , which could serve for Juliet's balcony and char- acters ' aloft ' , probably housed the ...
... enter and exit ' severally ' . Behind was the dressing room , or ' tiring house ' . Above on a second level was a gallery , divided into sections , which could serve for Juliet's balcony and char- acters ' aloft ' , probably housed the ...
Side 246
... our 2 1⁄2 hour Hamlet I left the stage for only five or six minutes . Actors would enter the stage with different energies , and sometimes they wouldn't be in the same play as the rest of us . So I had 246 INTERVIEWS WITH ACTORS.
... our 2 1⁄2 hour Hamlet I left the stage for only five or six minutes . Actors would enter the stage with different energies , and sometimes they wouldn't be in the same play as the rest of us . So I had 246 INTERVIEWS WITH ACTORS.
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote