Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Fra bogen
Resultater 1-3 af 7
Side 207
... couplet could apply first to herself - ' For folly that he wisely shows is fit ' - and then to both Orsino and Olivia ... couplets , and Viola picks up both its form and tone . It has the effect of distancing both declaration and refusal ...
... couplet could apply first to herself - ' For folly that he wisely shows is fit ' - and then to both Orsino and Olivia ... couplets , and Viola picks up both its form and tone . It has the effect of distancing both declaration and refusal ...
Side 208
... couplets , which gives their exchange a heightened formality . Of course Shakespeare can't have Viola demand an explanation , as that would destroy the final recognition scene , but her lack of immediate reaction poses a problem for the ...
... couplets , which gives their exchange a heightened formality . Of course Shakespeare can't have Viola demand an explanation , as that would destroy the final recognition scene , but her lack of immediate reaction poses a problem for the ...
Side 211
... couplets and the richness of the alliteration - ' sayings ' , ' overswear ' , ' swearings ' , ' soul ' , ' sever ' . The mood is again broken by Feste and Fabian , but before Malvolio's entrance Orsino manages to offer Viola his hand ...
... couplets and the richness of the alliteration - ' sayings ' , ' overswear ' , ' swearings ' , ' soul ' , ' sever ' . The mood is again broken by Feste and Fabian , but before Malvolio's entrance Orsino manages to offer Viola his hand ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
63 andre sektioner vises ikke
Almindelige termer og sætninger
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote