Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 56
... breath , but why then a comma after ' yesterdayes ' ? We certainly wouldn't need to take a breath there , so soon after the colon at ' Recorded time ' . Some maintain capital letters mark heavy stresses , but their distribution here ...
... breath , but why then a comma after ' yesterdayes ' ? We certainly wouldn't need to take a breath there , so soon after the colon at ' Recorded time ' . Some maintain capital letters mark heavy stresses , but their distribution here ...
Side 83
... breathing exercises . Breath is central to the actor's creativity , particularly in Shakespeare . Our whole being is dependent on breathing , as breathing is dependent on oxygen . Together they feed the brain and the voice . Breath is ...
... breathing exercises . Breath is central to the actor's creativity , particularly in Shakespeare . Our whole being is dependent on breathing , as breathing is dependent on oxygen . Together they feed the brain and the voice . Breath is ...
Side 97
... breath . Once we are on top of the thought and its energy , the breath will follow . In real life we nearly always have enough breath for what we want to say just listen to any animated conversation . As Kenneth Branagh said , ' If I ...
... breath . Once we are on top of the thought and its energy , the breath will follow . In real life we nearly always have enough breath for what we want to say just listen to any animated conversation . As Kenneth Branagh said , ' If I ...
Almindelige termer og sætninger
acting action actor ambiguity Angelo Antony audience backstory Benedick BIRON boy player breath Brutus Burbage cast character character's Cicely Berry Claudius Cleopatra clown comedy comic Coriolanus death director disguise Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter Henry Iago iambic iambic pentameter imagination irony Isabella Judi Dench King Lear Lady Macbeth language Lear's Leontes London look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Twelfth Night verse Viola voice women words writing wrote