Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 89
... becoming non - existent . We now live in a world of such noise and dissonance that language is barely heard or , when it is , twenty - four - hour television and ... become apparent . Listen to the sound first and the meaning LANGUAGE 89.
... becoming non - existent . We now live in a world of such noise and dissonance that language is barely heard or , when it is , twenty - four - hour television and ... become apparent . Listen to the sound first and the meaning LANGUAGE 89.
Side 130
... becomes central . Sometimes the quest for ' character ' becomes an irrelevance , as text and situation become the only thing that matters . Simon Russell Beale found when playing Thersites that the audience reaction was such that ' I ...
... becomes central . Sometimes the quest for ' character ' becomes an irrelevance , as text and situation become the only thing that matters . Simon Russell Beale found when playing Thersites that the audience reaction was such that ' I ...
Side 142
... become the character , and the romantic , who make the character become themselves . Granville Barker , however , wrote that it is a fallacy that the actor can suppress his own personality in favour of the dramatist's invention ...
... become the character , and the romantic , who make the character become themselves . Granville Barker , however , wrote that it is a fallacy that the actor can suppress his own personality in favour of the dramatist's invention ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote