Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 157
... audience enjoy and skip through the rest , sidelining important plot points . It's fatal if the audience find a scene moving / funny / horrific but have no idea how it's contributed to the story . The tendency to ' milk our moments ...
... audience enjoy and skip through the rest , sidelining important plot points . It's fatal if the audience find a scene moving / funny / horrific but have no idea how it's contributed to the story . The tendency to ' milk our moments ...
Side 158
... AUDIENCE is the completion of the process . Theatre is at its best when actor and audience are sharing thoughts and emotions , and it is this act of sharing that essentially gives theatre the edge over film and television . The actor is ...
... AUDIENCE is the completion of the process . Theatre is at its best when actor and audience are sharing thoughts and emotions , and it is this act of sharing that essentially gives theatre the edge over film and television . The actor is ...
Side 159
... audience , with almost no interplay between characters . It's all addressed out front ; the image of Archie Rice is much stronger than the image of Hamlet . " Richard III talks to the audience so much that David Troughton felt he needed ...
... audience , with almost no interplay between characters . It's all addressed out front ; the image of Archie Rice is much stronger than the image of Hamlet . " Richard III talks to the audience so much that David Troughton felt he needed ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote