Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side ix
... ask of his actors , and who was aware of the specific strengths and limitations of those who would first perform them . Shakespeare knew too that his actors would make a creative contribution to theatrical realisation of what he wrote ...
... ask of his actors , and who was aware of the specific strengths and limitations of those who would first perform them . Shakespeare knew too that his actors would make a creative contribution to theatrical realisation of what he wrote ...
Side 40
... ask the question ! BIRON ROSALINE questions . BIRON How needless was it then You must not be so quick . ' Tis ' long of you , that spur me with such Your wit's too hot , it speeds too fast , ' twill tire . ROSALINE Not till it leave the ...
... ask the question ! BIRON ROSALINE questions . BIRON How needless was it then You must not be so quick . ' Tis ' long of you , that spur me with such Your wit's too hot , it speeds too fast , ' twill tire . ROSALINE Not till it leave the ...
Side 199
... asks him to ' conceal me what I am ' . The other important theme is contained in ' What else may hap , to time I will commit ' ( 56 ) . Viola is ready to set a plan in action , but then to settle back and see how things turn out . Her ...
... asks him to ' conceal me what I am ' . The other important theme is contained in ' What else may hap , to time I will commit ' ( 56 ) . Viola is ready to set a plan in action , but then to settle back and see how things turn out . Her ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote