Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 47
... ALLITERATION There are a large number of terms given to the many patterns of sounds and word order , but these three are probably the most important . ASSONANCE is a rhyming of vowels , or a corres- pondence in sound . Repeated ' o's ...
... ALLITERATION There are a large number of terms given to the many patterns of sounds and word order , but these three are probably the most important . ASSONANCE is a rhyming of vowels , or a corres- pondence in sound . Repeated ' o's ...
Side 48
... Alliteration is sometimes used for outright comic effect as in the Mechanicals ' play in the Dream : ' For by thy gracious , golden , glittering gleams / I trust to take of truest Thisbe sight . ' Alliteration , like rhyme , can be a ...
... Alliteration is sometimes used for outright comic effect as in the Mechanicals ' play in the Dream : ' For by thy gracious , golden , glittering gleams / I trust to take of truest Thisbe sight . ' Alliteration , like rhyme , can be a ...
Side 82
... alliteration all provide a music that lodges in the imagination . The human mortals want their winter cheer . No night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to ...
... alliteration all provide a music that lodges in the imagination . The human mortals want their winter cheer . No night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote