Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side ii
... Actor Nick Moseley ACTIONS : THE ACTORS ' THESAURUS Marina Caldarone and Maggie Lloyd - Williams THE ACTOR AND THE TARGET Declan Donnellan THE ARTICULATE BODY The Physical Training of the Actor Anne Dennis BEYOND STANISLAVSKY The Psycho ...
... Actor Nick Moseley ACTIONS : THE ACTORS ' THESAURUS Marina Caldarone and Maggie Lloyd - Williams THE ACTOR AND THE TARGET Declan Donnellan THE ARTICULATE BODY The Physical Training of the Actor Anne Dennis BEYOND STANISLAVSKY The Psycho ...
Side 172
... actor's work and they require a metho- dical key . The actor . . . is creator , model and creation rolled into one . ' The actor must have the imagination to create , but the craft to become the creation . One of the main reasons actors ...
... actor's work and they require a metho- dical key . The actor . . . is creator , model and creation rolled into one . ' The actor must have the imagination to create , but the craft to become the creation . One of the main reasons actors ...
Side 266
... actors . Prunella Scales and Timothy West , So You Want to be an Actor ?, London : Nick Hern Books , 2005 is characteristically concise and down - to - earth . ACTOR BIOGRAPHIES Simon Callow , Being an Actor , London : Methuen , 1984 ...
... actors . Prunella Scales and Timothy West , So You Want to be an Actor ?, London : Nick Hern Books , 2005 is characteristically concise and down - to - earth . ACTOR BIOGRAPHIES Simon Callow , Being an Actor , London : Methuen , 1984 ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote