Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 203
... Viola doesn't , though many productions hold back this information by reversing the scenes and making Malvolio's ' run ' continuous . I think you should experiment . - Viola's sense of fun with language comes out in the way she picks up ...
... Viola doesn't , though many productions hold back this information by reversing the scenes and making Malvolio's ' run ' continuous . I think you should experiment . - Viola's sense of fun with language comes out in the way she picks up ...
Side 204
... Viola seems to be trying to argue her way out of admitting women are the ' weaker vessels ' . Viola refers to herself as ' poor monster ' , neither one sex or the other , and a boy player would have added to this compli- cation . The ...
... Viola seems to be trying to argue her way out of admitting women are the ' weaker vessels ' . Viola refers to herself as ' poor monster ' , neither one sex or the other , and a boy player would have added to this compli- cation . The ...
Side 211
... Viola that she said a thousand [ sic ] times that she loved Orsino more than any woman more men's talk . Viola swears the truth of this in her rich poetic vein with the rather hazy simile , ' As doth that orbed continent the fire / That ...
... Viola that she said a thousand [ sic ] times that she loved Orsino more than any woman more men's talk . Viola swears the truth of this in her rich poetic vein with the rather hazy simile , ' As doth that orbed continent the fire / That ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote