Performing ShakespeareNick Hern Books, 2007 - 274 sider Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Side 75
... Hamlet is in essence a typical revenge plot , but Hamlet is no typical avenger . As the academic Peter Thompson says , ' It is in behaviour inconsistent with personal impulse that the idea of character is contained.'20 The critic Frank ...
... Hamlet is in essence a typical revenge plot , but Hamlet is no typical avenger . As the academic Peter Thompson says , ' It is in behaviour inconsistent with personal impulse that the idea of character is contained.'20 The critic Frank ...
Side 237
... Hamlet I played had absolutely no desire to sexually assault his mother , partly from love , respect and fear , and partly because the whole world of sex had , in this Hamlet's mind , become distorted and diseased . Another example from ...
... Hamlet I played had absolutely no desire to sexually assault his mother , partly from love , respect and fear , and partly because the whole world of sex had , in this Hamlet's mind , become distorted and diseased . Another example from ...
Side 240
... Hamlet go mad ? When I began to read the play carefully , there seemed to be only one scene , with Polonius , where Hamlet talks in that strange , seemingly incoherent way that we associate with Shakespeare's ' mad language ' [ cf ...
... Hamlet go mad ? When I began to read the play carefully , there seemed to be only one scene , with Polonius , where Hamlet talks in that strange , seemingly incoherent way that we associate with Shakespeare's ' mad language ' [ cf ...
Indhold
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Copyright | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote