Museum of Painting and Sculpture: Or, Collection of the Principal Pictures, Statues and Bas-reliefs in the Public and Private Galleries of Europe, Bind 5 |
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The figures are of a fine expression , the colour is admirable , the finish very high
, and the drawing more correct , than in the other works of that artist . Of all the
painters of the dutch school , Rembrandt has best expressed the brilliant effects
of ...
The figures are of a fine expression , the colour is admirable , the finish very high
, and the drawing more correct , than in the other works of that artist . Of all the
painters of the dutch school , Rembrandt has best expressed the brilliant effects
of ...
Side
Le peintre , voulant éviter une autre expression peut - être trop difficile à rendre ,
a placé la main d'Abraham de manière à ce qu'elle cacha entièrement le visage
de la victime . La figure de l'ange est remarquable par la légèreté avec laquelle ...
Le peintre , voulant éviter une autre expression peut - être trop difficile à rendre ,
a placé la main d'Abraham de manière à ce qu'elle cacha entièrement le visage
de la victime . La figure de l'ange est remarquable par la légèreté avec laquelle ...
Side
The painter to avoid another expression , perhaps too difficult to be given , has so
placed Abraham's hand , that it wholly hides the countenance of the victim . The
figure of the angel is remarkable for the lightness with which it glides through the
...
The painter to avoid another expression , perhaps too difficult to be given , has so
placed Abraham's hand , that it wholly hides the countenance of the victim . The
figure of the angel is remarkable for the lightness with which it glides through the
...
Side
Nommé inquisiteur , son ardeur s'accrut au milieu des dangers auxquels l'
exposait sa place ; elle fut telle que , suivant l'expression d'un de ses historiens ,
« semblable à un lion parmi des bêtes féroces , il ne laissa nul repos aux
hérétiques .
Nommé inquisiteur , son ardeur s'accrut au milieu des dangers auxquels l'
exposait sa place ; elle fut telle que , suivant l'expression d'un de ses historiens ,
« semblable à un lion parmi des bêtes féroces , il ne laissa nul repos aux
hérétiques .
Side
Being named inquisitor , his ardour increased in the midst of the dangers to
which his situation exposed him , and was such , according to the expression of
one of his historians , « that like unto a lion among ferocious beasts , he allowed
no ...
Being named inquisitor , his ardour increased in the midst of the dangers to
which his situation exposed him , and was such , according to the expression of
one of his historians , « that like unto a lion among ferocious beasts , he allowed
no ...
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Bibliografiske oplysninger
| Titel | Museum of Painting and Sculpture: Or, Collection of the Principal Pictures, Statues and Bas-reliefs in the Public and Private Galleries of Europe, Bind 5 Museum of Painting and Sculpture: Or, Collection of the Principal Pictures, Statues and Bas-reliefs in the Public and Private Galleries of Europe, Etienne Achille Réveil |
| Forfatter | Etienne Achille Réveil |
| Udgiver | Bossange, 1829 |
| Oprindeligt fra | Harvard University |
| Digitaliseret | 16. jan 2008 |
| Eksporter henvisning | BiBTeX EndNote RefMan |