Shakespeare and the Modern Stage; with Other EssaysDigiCat, 16. sep. 2022 - 183 sider In Sidney Sir Lee's 'Shakespeare and the Modern Stage; with Other Essays', readers are treated to a scholarly exploration of William Shakespeare's works and their relevance in the modern theatrical landscape. Lee's writing style is both accessible and erudite, making this collection of essays a valuable resource for those interested in Shakespearean literature and theater studies. Through detailed analyses of Shakespeare's plays and their adaptations, Lee sheds light on how these timeless works continue to captivate audiences across generations. The book also delves into the impact of modernity on the staging and interpretation of Shakespeare's plays, offering new insights into their timeless appeal. Sidney Sir Lee's deep knowledge of Shakespearean literature and theater history is evident in each essay, making this book a must-read for scholars and enthusiasts alike. With a keen eye for detail and a passion for the subject matter, Lee presents a compelling case for the continued relevance of Shakespeare in today's theatrical landscape. |
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... genius when giving these admonitions to his hearers. But they are warnings of universal application, and can never be safely ignored. Such an exordium as the chorus before Henry V. would indeed be pertinent to every stage performance of ...
... genius when giving these admonitions to his hearers. But they are warnings of universal application, and can never be safely ignored. Such an exordium as the chorus before Henry V. would indeed be pertinent to every stage performance of ...
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... genius or from place of power, he can never, whatever his casual professions to the contrary, be indifferent to the reception accorded by his fellow-men to the work of his hand and head. I picture Shakespeare as the soul of modesty and ...
... genius or from place of power, he can never, whatever his casual professions to the contrary, be indifferent to the reception accorded by his fellow-men to the work of his hand and head. I picture Shakespeare as the soul of modesty and ...
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... genius should be reckoned among popular errors. It was not merely the recognition of the critical and highly educated that Shakespeare received in person. It was by the voice of the half-educated populace, whose heart and intellect were ...
... genius should be reckoned among popular errors. It was not merely the recognition of the critical and highly educated that Shakespeare received in person. It was by the voice of the half-educated populace, whose heart and intellect were ...
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... genius taught him that the topmost rung was within his reach. He tried his hand on the revision of an old play, and the manager was not slow to recognise an unmatched gift for dramatic writing. It was not probably till 1591, when ...
... genius taught him that the topmost rung was within his reach. He tried his hand on the revision of an old play, and the manager was not slow to recognise an unmatched gift for dramatic writing. It was not probably till 1591, when ...
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... genius one ought to bear in mind that he was a pioneer—almost the creator or first designer—of English drama, as well as the practised workman in unmatched perfection. There were before his day some efforts made at dramatic ...
... genius one ought to bear in mind that he was a pioneer—almost the creator or first designer—of English drama, as well as the practised workman in unmatched perfection. There were before his day some efforts made at dramatic ...
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acting actor actor-manager actor-manager system admiration artistic audience Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary Contents I Table countrymen critical D'Avenant D'Avenant's diary dramatic art dramatist Drury Lane Dryden Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French Fuller genius gossip Hamlet Henry honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London Lowin Macbeth memory methods Midsummer Night's Dream monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys saw Pepys's performance philosophy piece playgoing playhouse poet poet's poetic poetry present production realise rendering reputation Richard II rôle scenery scenic sentiment seventeenth century Shakespeare died Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama speech stage Stratford Stratford-on-Avon Table of Contents Tempest theatrical enterprise thou tragedy Twelfth Night William Beeston William Shakespeare writing wrote