The Yale Literary Magazine, Bind 59 |
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Side 6
The very breath of the spirit of the Celt is idealism . It is in his deepest nature , the yearning after and pursuit of some ideal , often wild and impossible , but always sought with enthusiasm and consecration .
The very breath of the spirit of the Celt is idealism . It is in his deepest nature , the yearning after and pursuit of some ideal , often wild and impossible , but always sought with enthusiasm and consecration .
Side 7
The truths of the spirit are wider than any account of them in human speech . ” These sentences contain the essence of Renan's belief . They tell us that what he meant by religion was merely an aspiration after the ideal .
The truths of the spirit are wider than any account of them in human speech . ” These sentences contain the essence of Renan's belief . They tell us that what he meant by religion was merely an aspiration after the ideal .
Side 8
But , true to his idealistic spirit , he still clung to the religious emotions and aspirations which no longer had any basis of truth . The ordinary man , who is less of a dreamer than Renan , can find nothing to believe in a fiction ...
But , true to his idealistic spirit , he still clung to the religious emotions and aspirations which no longer had any basis of truth . The ordinary man , who is less of a dreamer than Renan , can find nothing to believe in a fiction ...
Side 9
This odd mixture of idealism and the scientific spirit actually gave keenness and depth to his treatment of historical and social problems . Almost everything he wrote in this direction is suggestive . The Revolution of '48 in France ...
This odd mixture of idealism and the scientific spirit actually gave keenness and depth to his treatment of historical and social problems . Almost everything he wrote in this direction is suggestive . The Revolution of '48 in France ...
Side 15
Yet this earnestness of spirit was not to sacrifice the form of his poetry , nor the beauty of his descriptions . While the form was subservient to the matter , he never relaxed to slothfulness or carelessness in workman . ship .
Yet this earnestness of spirit was not to sacrifice the form of his poetry , nor the beauty of his descriptions . While the form was subservient to the matter , he never relaxed to slothfulness or carelessness in workman . ship .
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American appear artistic beauty believe Boston called Chapel Street character church close Clothing comes Company course criticism death door early Editors England English expression eyes face fact feeling followed foot friends give given half Hall hand Harvard Haven head heart hope important interesting John kind lamp learning less letters light literary literature living look matter meaning mind Music nature never night notice once Opposite passed past perhaps picture play present Princeton Professor reason seems shows side spirit stand stone story student style success sure tell things thought tion town true turn University whole Window writing written Yale York young