Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 65
... viewer a way to be the spec- tator of female roles while not remaining close to them , nor identifying with them , attaining the distance from them required to enter the pychoanalytic viewing space . The masquerade that Doane describes ...
... viewer a way to be the spec- tator of female roles while not remaining close to them , nor identifying with them , attaining the distance from them required to enter the pychoanalytic viewing space . The masquerade that Doane describes ...
Side 123
... viewers in history could tell the true story . One might guess , for example , that in The Red Flowers of Tienshan , even though the film was about Kazakhs ' lives , the modeling of the woman as good wife and self - sacrificing worker ...
... viewers in history could tell the true story . One might guess , for example , that in The Red Flowers of Tienshan , even though the film was about Kazakhs ' lives , the modeling of the woman as good wife and self - sacrificing worker ...
Side 129
... viewers to follow the flow of Li Chun's consciousness as she recalls her past experiences living among the Dai . As neither Zhang Manling nor Zhang Nuanxi claim objectivity , the viewers ' contact with the Dai is intentionally filtered ...
... viewers to follow the flow of Li Chun's consciousness as she recalls her past experiences living among the Dai . As neither Zhang Manling nor Zhang Nuanxi claim objectivity , the viewers ' contact with the Dai is intentionally filtered ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth