Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 105
... sound effects , the narrator speaks the voice of continuity , of relating past , present , and future , of communicating the film to its ( perhaps bewil- dered ) audience . Oscillating between the tone of the storyteller , the ...
... sound effects , the narrator speaks the voice of continuity , of relating past , present , and future , of communicating the film to its ( perhaps bewil- dered ) audience . Oscillating between the tone of the storyteller , the ...
Side 106
... sound does the exact opposite : it pulls the self , traditionally addressed to lose itself in the sound track , into the foreground , making it the subject of the film's complex sound patterns and its invocations of other places . Sound ...
... sound does the exact opposite : it pulls the self , traditionally addressed to lose itself in the sound track , into the foreground , making it the subject of the film's complex sound patterns and its invocations of other places . Sound ...
Side 145
... sound and the voice do become clearer , however , once Silverman proceeds . In fact , there are good reasons why she does not initially spotlight femininity's " special " relationship to sound . Carefully distancing herself from the ...
... sound and the voice do become clearer , however , once Silverman proceeds . In fact , there are good reasons why she does not initially spotlight femininity's " special " relationship to sound . Carefully distancing herself from the ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth