Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 50
... possessing Somawathi are both male and female . At the very outset a decision was made not to represent the body of the possessed woman , Somawathi ; there would be no Somawathi to be seen . So the effort of the film was to try to find ...
... possessing Somawathi are both male and female . At the very outset a decision was made not to represent the body of the possessed woman , Somawathi ; there would be no Somawathi to be seen . So the effort of the film was to try to find ...
Side 59
... possessed woman . And as we were working with an audio - visual medium we wanted to multiply the effects through the technological means available to us . AR : Talking of the technological means , the color and lighting in the film add ...
... possessed woman . And as we were working with an audio - visual medium we wanted to multiply the effects through the technological means available to us . AR : Talking of the technological means , the color and lighting in the film add ...
Side 60
... possessed bodies but she is possessed by demons and pretas ( dead relatives who return as lesser beings ) while he is possessed by the gods , so there is a hierarchy in their respective forms of bodily travail . We listened intently to ...
... possessed bodies but she is possessed by demons and pretas ( dead relatives who return as lesser beings ) while he is possessed by the gods , so there is a hierarchy in their respective forms of bodily travail . We listened intently to ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth