Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 34
... narrator is forced to concede : " He lives , then , on ginger - nuts , thought I ; never eats a dinner , properly speaking ; he must be a vegetarian , then ; but no ; he never eats even vegetables , he eats nothing but ginger - nuts ...
... narrator is forced to concede : " He lives , then , on ginger - nuts , thought I ; never eats a dinner , properly speaking ; he must be a vegetarian , then ; but no ; he never eats even vegetables , he eats nothing but ginger - nuts ...
Side 105
... narrator , the only voice to carry on the claims of language . As a mediator between the predominantly silent rituals of the protagonists and the film's complex sound effects , the narrator speaks the voice of continuity , of relating ...
... narrator , the only voice to carry on the claims of language . As a mediator between the predominantly silent rituals of the protagonists and the film's complex sound effects , the narrator speaks the voice of continuity , of relating ...
Side 154
... narrator Ferdinand . The creation of a first person narrator who sometimes coincides with Céline himself is one of the ways he uses the form of the novel to enact an identification with the figure of woman . The irony , as Kristeva ...
... narrator Ferdinand . The creation of a first person narrator who sometimes coincides with Céline himself is one of the ways he uses the form of the novel to enact an identification with the figure of woman . The irony , as Kristeva ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth