Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 35
... cuts to the heart of what I find to be the most surprising affinity between anorexia and minimalism . For it is not true that the anorexic is not an artist , at least in the changed sense that modernism itself has in part brought about ...
... cuts to the heart of what I find to be the most surprising affinity between anorexia and minimalism . For it is not true that the anorexic is not an artist , at least in the changed sense that modernism itself has in part brought about ...
Side 127
... cuts across all our lives , and our bodies , in a way that other differences , fundamentally do not . I mean here to point to the obvious , although this is very complex . If we are white , we will never be black . If we are Native ...
... cuts across all our lives , and our bodies , in a way that other differences , fundamentally do not . I mean here to point to the obvious , although this is very complex . If we are white , we will never be black . If we are Native ...
Side 133
... With cosmetic surgery , the mask of the aging body is doubled over . The surface of the body is cut and stretched to disguise the ______ surface of the body . Unlike the hysterical body , Fall - Winter 1988-89 133.
... With cosmetic surgery , the mask of the aging body is doubled over . The surface of the body is cut and stretched to disguise the ______ surface of the body . Unlike the hysterical body , Fall - Winter 1988-89 133.
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth