Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 19
... connection to indicate that the image of the most popular artificial human , namely Frankenstein's monster , was created by a woman , by Mary Wollstonecraft Shelley , in 1818 , at the beginning of the machine age and the industrial ...
... connection to indicate that the image of the most popular artificial human , namely Frankenstein's monster , was created by a woman , by Mary Wollstonecraft Shelley , in 1818 , at the beginning of the machine age and the industrial ...
Side 109
... connection with Das Bildnis einer Trinkerin . Ilse Lenz , in " Die öde wildnis einer schminkerin , " writes : " I expect from a ' feminist film ' that it does at least not despise women or degrade them to objects and that it grants ...
... connection with Das Bildnis einer Trinkerin . Ilse Lenz , in " Die öde wildnis einer schminkerin , " writes : " I expect from a ' feminist film ' that it does at least not despise women or degrade them to objects and that it grants ...
Side 154
... connection to the religion that is the principal source of Western culture . She demonstrates this in her analyses of the political pamphlets and novels . Yet the Jew functions on another level for her as a deposed authority who becomes ...
... connection to the religion that is the principal source of Western culture . She demonstrates this in her analyses of the political pamphlets and novels . Yet the Jew functions on another level for her as a deposed authority who becomes ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth