Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 60
... avant - garde assimilation of camp , has described it as a " certain mode of aestheticism . . . one way seeing the world as an aesthetic phenomenon . . . not in terms of beauty , but in terms of the degree of artifice , of stylization ...
... avant - garde assimilation of camp , has described it as a " certain mode of aestheticism . . . one way seeing the world as an aesthetic phenomenon . . . not in terms of beauty , but in terms of the degree of artifice , of stylization ...
Side 106
... avantgarde , the film introduces the like- lihood of a feminine aesthetic which itself does not exist but which leaves traces through irony , imitation , and repetition until collapse occurs . - As the film's central textual strategy ...
... avantgarde , the film introduces the like- lihood of a feminine aesthetic which itself does not exist but which leaves traces through irony , imitation , and repetition until collapse occurs . - As the film's central textual strategy ...
Side
... avant - garde thought . " - -The Modern Language Journal ISSN 0040-2426 Published three times yearly by The University of Wisconsin Press . Subscribe now , or recommend a subscription to your library . A detailed brochure will be sent ...
... avant - garde thought . " - -The Modern Language Journal ISSN 0040-2426 Published three times yearly by The University of Wisconsin Press . Subscribe now , or recommend a subscription to your library . A detailed brochure will be sent ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth