Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 144
... allowed to exist free standing ( even explaining the diegetic world to its auditors , as in the " voice of God " narration of documentaries ) , the female voice knows no such privilege . Its containment within the film's diegetic ...
... allowed to exist free standing ( even explaining the diegetic world to its auditors , as in the " voice of God " narration of documentaries ) , the female voice knows no such privilege . Its containment within the film's diegetic ...
Side 153
... allowed to grow up . Women and children , like Molly and Bébert , and unmanly men , like Ferdinand , live on the fringes of an economy dominated by white males . Céline indicts this economy with subtlety and force by showing that it is ...
... allowed to grow up . Women and children , like Molly and Bébert , and unmanly men , like Ferdinand , live on the fringes of an economy dominated by white males . Céline indicts this economy with subtlety and force by showing that it is ...
Side 23
... allowed to count . He was used as a foil to the good conscience of " progressive " anthropolo- gists . Or he was used to offer a concrete continuity and a logical renewal to the problem of the West , which was not tired of producing ...
... allowed to count . He was used as a foil to the good conscience of " progressive " anthropolo- gists . Or he was used to offer a concrete continuity and a logical renewal to the problem of the West , which was not tired of producing ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth