Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 111988 |
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Side 52
... aesthetically most advanced films resist any facile reading , not only because they operate with complex aesthetic codes but also because they anticipate an expanded and radicalized notion of subjectivity . What is achieved in a number ...
... aesthetically most advanced films resist any facile reading , not only because they operate with complex aesthetic codes but also because they anticipate an expanded and radicalized notion of subjectivity . What is achieved in a number ...
Side 97
... aesthetic , so brilliantly analyzed by Susan Sontag in her essay " Notes on ' Camp . ' " On the level of visual spectacle alone , the film's obligations to camp are most obvious in the fetishization of clothes , the narcissistic ...
... aesthetic , so brilliantly analyzed by Susan Sontag in her essay " Notes on ' Camp . ' " On the level of visual spectacle alone , the film's obligations to camp are most obvious in the fetishization of clothes , the narcissistic ...
Side 106
... aesthetic challenge to the disinterested positions typical of much of postmodern art . Precisely because it follows the feminist traj- ectory , the film presents a possibility of abandoning the problem of representing that which is not ...
... aesthetic challenge to the disinterested positions typical of much of postmodern art . Precisely because it follows the feminist traj- ectory , the film presents a possibility of abandoning the problem of representing that which is not ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth