The Best of DQR, Bind 1–10Flor Aarts Rodopi, 1984 - 332 sider |
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Side 6
... of editing any journal : you never know what may turn up in the next post , and we firmly believe that there always will be a post for magazines like DQR . The Editors TURNER'S HOLLAND A.G.H. Bachrach In the international world of art 6.
... of editing any journal : you never know what may turn up in the next post , and we firmly believe that there always will be a post for magazines like DQR . The Editors TURNER'S HOLLAND A.G.H. Bachrach In the international world of art 6.
Side 7
... turn a dream into reality . This was the exhibition organised to illustrate the special relationship be- tween Dutch seventeenth - century landscape and marine painting with British Romantic art . Somewhat brazenly entitled " Shock of ...
... turn a dream into reality . This was the exhibition organised to illustrate the special relationship be- tween Dutch seventeenth - century landscape and marine painting with British Romantic art . Somewhat brazenly entitled " Shock of ...
Side 35
... turning epic had at last become cosmic . This finally takes us to the profusion of landscape outlines , shipping clusters , and urban contours so eagerly captured for future reference on each of Turner's forays into Dutch territory ...
... turning epic had at last become cosmic . This finally takes us to the profusion of landscape outlines , shipping clusters , and urban contours so eagerly captured for future reference on each of Turner's forays into Dutch territory ...
Side 38
... turning inward and self - fastened . ' This does not mean that Joseph's decision should be looked upon as the result ... turns himself into the man of action of his later fiction - 38.
... turning inward and self - fastened . ' This does not mean that Joseph's decision should be looked upon as the result ... turns himself into the man of action of his later fiction - 38.
Side 57
... turn , derives from the quality and completeness of the stimulus . There is a distinction to be made between responding to a pattern and filling it in from the proffered outlines . In the former case the work is available ; responses ...
... turn , derives from the quality and completeness of the stimulus . There is a distinction to be made between responding to a pattern and filling it in from the proffered outlines . In the former case the work is available ; responses ...
Indhold
7 | |
37 | |
An Uncommon Language Crossing | 66 |
The Greatness of the Bostonians | 81 |
Otello and Othello The Modernity | 104 |
The Famous Clerk Erasmus | 131 |
Literature and Linguistics 19501970 | 155 |
Victims and History and Agents | 174 |
Literary Criticism and Linguistic | 213 |
A Dutch Grammarians English A Reas | 234 |
Chaucer The Nuns Priests Tale | 248 |
Evelyn Waughs Sword of Volgograd | 279 |
INDEX | 297 |
Almindelige termer og sætninger
aesthetic terms American analysis Angus Wilson appeared artistic become Bellow's Bob Doran Bostonians called century character Chaucer course Critical Bibliography death Desdemona Dutch Boats edition English Literature Erasmus Essays Evelyn Waugh F. R. Leavis fact feel Fiction Grammar Hamlet Hamo Henderson human important interpretation J. M. W. Turner James James Joyce Joyce kind Kruisinga language Leavis lines linguistic statements literary London Ludovic magic meaning Milton mind Miss Birdseye modern Mooney moral Nat Turner nature non-aesthetic novel Nun's Priest's Nun's Priest's Tale Otello painting Paradise Lost phonemes play poem poet poetry Poutsma problem protagonist reader reality scene seems semantic sense sentence Shakespeare society stanza story structure style stylistic Styron Sword of Honour Sword of Stalingrad syntactic Tale theme theory thing tion tradition tragedy translation Ulysses Verdi's Verena Waugh Whitman words writing Zandvoort
Populære passager
Side 64 - All strength, all terror, single or in bands, That ever was put forth in personal form — Jehovah, with his thunder, and the choir Of shouting Angels, and the empyreal thrones, — I pass them unalarmed.
Side 59 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! full of doubt I stand, Whether I should repent me now of sin By me done and occasion'd, or rejoice Much more, that much more good thereof shall spring.
Side 208 - The soldiers' music and the rites of war Speak loudly for him. Take up the bodies : such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot.
Side 73 - Saw the reflection of the summer sky in the water, Had my eyes dazzled by the shimmering track of beams...
Side 78 - You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside— we plant you permanently within us, We fathom you not— we love you— there is perfection in you also, You furnish your parts toward eternity, Great or small, you furnish your parts toward the soul.
Side 107 - I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known. O, now, for ever Farewell the tranquil mind ! farewell content...
Side 60 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...