The Best of DQR, Bind 1–10Flor Aarts Rodopi, 1984 - 332 sider |
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Side 12
... scenes . 11. Monthly Mirror , June 1801 . 12. In Poems on Various Subjects , April 1796 . 13. In 1837 Lord Egremont lent both his Van de Velde and the Turner , commissioned as its pendant , to the British Institution's Exhibition of Old ...
... scenes . 11. Monthly Mirror , June 1801 . 12. In Poems on Various Subjects , April 1796 . 13. In 1837 Lord Egremont lent both his Van de Velde and the Turner , commissioned as its pendant , to the British Institution's Exhibition of Old ...
Side 17
... scene depicted . But there is also the general psychological climate of England in which this story was told . It can hardly be considered negligible , for instance , that for the five years before the picture was commissioned Britain ...
... scene depicted . But there is also the general psychological climate of England in which this story was told . It can hardly be considered negligible , for instance , that for the five years before the picture was commissioned Britain ...
Side 32
... scene has been taken from the east bank of this river - branch which connects Dordrecht and Rotterdam , a little to the east from where the " Packet - boat " in the painting lies " becalmed " and hides the two windmills by her sails ...
... scene has been taken from the east bank of this river - branch which connects Dordrecht and Rotterdam , a little to the east from where the " Packet - boat " in the painting lies " becalmed " and hides the two windmills by her sails ...
Side 34
... scene ) in British collections , especially in those of William Beckford and the Duke of Bridgewater , with each of ... scenes and atmospheric effects , in part belonging to his Van de Velde progeny such as " Ships bearing up for ...
... scene ) in British collections , especially in those of William Beckford and the Duke of Bridgewater , with each of ... scenes and atmospheric effects , in part belonging to his Van de Velde progeny such as " Ships bearing up for ...
Side 36
... scene . The big barge in the foreground is a poon with a carved rudder - head and a freshwater cask . Made fast to her starboard is a boeier , equally with rigging and spars left out . The barge on the left is a tjalk , moored against ...
... scene . The big barge in the foreground is a poon with a carved rudder - head and a freshwater cask . Made fast to her starboard is a boeier , equally with rigging and spars left out . The barge on the left is a tjalk , moored against ...
Indhold
7 | |
37 | |
An Uncommon Language Crossing | 66 |
The Greatness of the Bostonians | 81 |
Otello and Othello The Modernity | 104 |
The Famous Clerk Erasmus | 131 |
Literature and Linguistics 19501970 | 155 |
Victims and History and Agents | 174 |
Literary Criticism and Linguistic | 213 |
A Dutch Grammarians English A Reas | 234 |
Chaucer The Nuns Priests Tale | 248 |
Evelyn Waughs Sword of Volgograd | 279 |
INDEX | 297 |
Almindelige termer og sætninger
aesthetic terms American analysis Angus Wilson appeared artistic become Bellow's Bob Doran Bostonians called century character Chaucer course Critical Bibliography death Desdemona Dutch Boats edition English Literature Erasmus Essays Evelyn Waugh F. R. Leavis fact feel Fiction Grammar Hamlet Hamo Henderson human important interpretation J. M. W. Turner James James Joyce Joyce kind Kruisinga language Leavis lines linguistic statements literary London Ludovic magic meaning Milton mind Miss Birdseye modern Mooney moral Nat Turner nature non-aesthetic novel Nun's Priest's Nun's Priest's Tale Otello painting Paradise Lost phonemes play poem poet poetry Poutsma problem protagonist reader reality scene seems semantic sense sentence Shakespeare society stanza story structure style stylistic Styron Sword of Honour Sword of Stalingrad syntactic Tale theme theory thing tion tradition tragedy translation Ulysses Verdi's Verena Waugh Whitman words writing Zandvoort
Populære passager
Side 64 - All strength, all terror, single or in bands, That ever was put forth in personal form — Jehovah, with his thunder, and the choir Of shouting Angels, and the empyreal thrones, — I pass them unalarmed.
Side 59 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! full of doubt I stand, Whether I should repent me now of sin By me done and occasion'd, or rejoice Much more, that much more good thereof shall spring.
Side 208 - The soldiers' music and the rites of war Speak loudly for him. Take up the bodies : such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot.
Side 73 - Saw the reflection of the summer sky in the water, Had my eyes dazzled by the shimmering track of beams...
Side 78 - You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside— we plant you permanently within us, We fathom you not— we love you— there is perfection in you also, You furnish your parts toward eternity, Great or small, you furnish your parts toward the soul.
Side 107 - I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known. O, now, for ever Farewell the tranquil mind ! farewell content...
Side 60 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...