The Best of DQR, Bind 1–10Flor Aarts Rodopi, 1984 - 332 sider |
Fra bogen
Resultater 1-5 af 38
Side 8
... picture which in Turner's Holland will be made generally available . It is to the preface of the latter book that I would like to refer in acknow- ledging the great help and many courtesies received throughout . Even at this stage ...
... picture which in Turner's Holland will be made generally available . It is to the preface of the latter book that I would like to refer in acknow- ledging the great help and many courtesies received throughout . Even at this stage ...
Side 10
... picture of the same size in his collection - the " Fresh Breeze with Men - of- War in the Distance " by Willem van de Velde the Younger4 - and exhibited at the Royal Academy in 1801 . Neither the green mezzotint after Van de Velde , nor ...
... picture of the same size in his collection - the " Fresh Breeze with Men - of- War in the Distance " by Willem van de Velde the Younger4 - and exhibited at the Royal Academy in 1801 . Neither the green mezzotint after Van de Velde , nor ...
Side 11
... picture was called " one of the greatest ornaments of the present exhibition " and proof that " nothing little appears from his hand " , exception was taken to his " free touch " and the resulting " carelessness " , " obscurity " and ...
... picture was called " one of the greatest ornaments of the present exhibition " and proof that " nothing little appears from his hand " , exception was taken to his " free touch " and the resulting " carelessness " , " obscurity " and ...
Side 12
... Picture of the Year . Turner had successfully combined the prestige of a great tradition with a dash , flair and directness that were personal and new . To him could well be applied the first public pronouncement that Coleridge had made ...
... Picture of the Year . Turner had successfully combined the prestige of a great tradition with a dash , flair and directness that were personal and new . To him could well be applied the first public pronouncement that Coleridge had made ...
Side 13
... picture of one of their occupations in a marginal situation , that is : a situation potentially as full of triumph as of defeat , since in the pursuit of their livelihood , they had constantly to contend with both the most brutal forces ...
... picture of one of their occupations in a marginal situation , that is : a situation potentially as full of triumph as of defeat , since in the pursuit of their livelihood , they had constantly to contend with both the most brutal forces ...
Indhold
7 | |
37 | |
An Uncommon Language Crossing | 66 |
The Greatness of the Bostonians | 81 |
Otello and Othello The Modernity | 104 |
The Famous Clerk Erasmus | 131 |
Literature and Linguistics 19501970 | 155 |
Victims and History and Agents | 174 |
Literary Criticism and Linguistic | 213 |
A Dutch Grammarians English A Reas | 234 |
Chaucer The Nuns Priests Tale | 248 |
Evelyn Waughs Sword of Volgograd | 279 |
INDEX | 297 |
Almindelige termer og sætninger
aesthetic terms American analysis Angus Wilson appeared artistic become Bellow's Bob Doran Bostonians called century character Chaucer course Critical Bibliography death Desdemona Dutch Boats edition English Literature Erasmus Essays Evelyn Waugh F. R. Leavis fact feel Fiction Grammar Hamlet Hamo Henderson human important interpretation J. M. W. Turner James James Joyce Joyce kind Kruisinga language Leavis lines linguistic statements literary London Ludovic magic meaning Milton mind Miss Birdseye modern Mooney moral Nat Turner nature non-aesthetic novel Nun's Priest's Nun's Priest's Tale Otello painting Paradise Lost phonemes play poem poet poetry Poutsma problem protagonist reader reality scene seems semantic sense sentence Shakespeare society stanza story structure style stylistic Styron Sword of Honour Sword of Stalingrad syntactic Tale theme theory thing tion tradition tragedy translation Ulysses Verdi's Verena Waugh Whitman words writing Zandvoort
Populære passager
Side 64 - All strength, all terror, single or in bands, That ever was put forth in personal form — Jehovah, with his thunder, and the choir Of shouting Angels, and the empyreal thrones, — I pass them unalarmed.
Side 59 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! full of doubt I stand, Whether I should repent me now of sin By me done and occasion'd, or rejoice Much more, that much more good thereof shall spring.
Side 208 - The soldiers' music and the rites of war Speak loudly for him. Take up the bodies : such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot.
Side 73 - Saw the reflection of the summer sky in the water, Had my eyes dazzled by the shimmering track of beams...
Side 78 - You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside— we plant you permanently within us, We fathom you not— we love you— there is perfection in you also, You furnish your parts toward eternity, Great or small, you furnish your parts toward the soul.
Side 107 - I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known. O, now, for ever Farewell the tranquil mind ! farewell content...
Side 60 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...