The Best of DQR, Bind 1–10Flor Aarts Rodopi, 1984 - 332 sider |
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Side 1
... course , sensible people realized that most teachers were not devoted entirely to the practical skills of their profession and some of the more sceptical might still be inclined to believe that an imaginative and continually extending ...
... course , sensible people realized that most teachers were not devoted entirely to the practical skills of their profession and some of the more sceptical might still be inclined to believe that an imaginative and continually extending ...
Side 7
... course , have been impossible to relay all his various messages . Hence the present essay which is part of the opening chapters of Turner's Holland , a forthcoming study of the special role of the Low Countries in Turner's evolution ...
... course , have been impossible to relay all his various messages . Hence the present essay which is part of the opening chapters of Turner's Holland , a forthcoming study of the special role of the Low Countries in Turner's evolution ...
Side 24
... course , but at the other extreme were the salerooms , educative for the collector and informative for the artist , as a guide to fashions and prices . And in between came the annual exhibitions of the Royal Academy and British ...
... course , but at the other extreme were the salerooms , educative for the collector and informative for the artist , as a guide to fashions and prices . And in between came the annual exhibitions of the Royal Academy and British ...
Side 34
... course , runs parallel to the position of Italian art in the evolution of British taste . Turner , apart from his crucial trip to Paris and Switzerland during the shortlived Peace of Amiens in 1802 , did not go abroad again until 1817 ...
... course , runs parallel to the position of Italian art in the evolution of British taste . Turner , apart from his crucial trip to Paris and Switzerland during the shortlived Peace of Amiens in 1802 , did not go abroad again until 1817 ...
Side 48
... course to destruction and death , cheating and murdering as he has been cheated and abused . Harry Morgan conforms . The presence of violence and death in To Have and Have Not are no longer questioned but taken for granted . They have ...
... course to destruction and death , cheating and murdering as he has been cheated and abused . Harry Morgan conforms . The presence of violence and death in To Have and Have Not are no longer questioned but taken for granted . They have ...
Indhold
7 | |
37 | |
An Uncommon Language Crossing | 66 |
The Greatness of the Bostonians | 81 |
Otello and Othello The Modernity | 104 |
The Famous Clerk Erasmus | 131 |
Literature and Linguistics 19501970 | 155 |
Victims and History and Agents | 174 |
Literary Criticism and Linguistic | 213 |
A Dutch Grammarians English A Reas | 234 |
Chaucer The Nuns Priests Tale | 248 |
Evelyn Waughs Sword of Volgograd | 279 |
INDEX | 297 |
Almindelige termer og sætninger
aesthetic terms American analysis Angus Wilson appeared artistic become Bellow's Bob Doran Bostonians called century character Chaucer course Critical Bibliography death Desdemona Dutch Boats edition English Literature Erasmus Essays Evelyn Waugh F. R. Leavis fact feel Fiction Grammar Hamlet Hamo Henderson human important interpretation J. M. W. Turner James James Joyce Joyce kind Kruisinga language Leavis lines linguistic statements literary London Ludovic magic meaning Milton mind Miss Birdseye modern Mooney moral Nat Turner nature non-aesthetic novel Nun's Priest's Nun's Priest's Tale Otello painting Paradise Lost phonemes play poem poet poetry Poutsma problem protagonist reader reality scene seems semantic sense sentence Shakespeare society stanza story structure style stylistic Styron Sword of Honour Sword of Stalingrad syntactic Tale theme theory thing tion tradition tragedy translation Ulysses Verdi's Verena Waugh Whitman words writing Zandvoort
Populære passager
Side 64 - All strength, all terror, single or in bands, That ever was put forth in personal form — Jehovah, with his thunder, and the choir Of shouting Angels, and the empyreal thrones, — I pass them unalarmed.
Side 59 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! full of doubt I stand, Whether I should repent me now of sin By me done and occasion'd, or rejoice Much more, that much more good thereof shall spring.
Side 208 - The soldiers' music and the rites of war Speak loudly for him. Take up the bodies : such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot.
Side 73 - Saw the reflection of the summer sky in the water, Had my eyes dazzled by the shimmering track of beams...
Side 78 - You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside— we plant you permanently within us, We fathom you not— we love you— there is perfection in you also, You furnish your parts toward eternity, Great or small, you furnish your parts toward the soul.
Side 107 - I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known. O, now, for ever Farewell the tranquil mind ! farewell content...
Side 60 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...