Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 19,Oplag 31997 |
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Side 52
... visual images work in constituting so- cialized " selves " in the era of the photographic paradigm much as they do in the mirror stage . If early stages of human identity- formation are image - bound , gaze - mediated , and predicated ...
... visual images work in constituting so- cialized " selves " in the era of the photographic paradigm much as they do in the mirror stage . If early stages of human identity- formation are image - bound , gaze - mediated , and predicated ...
Side 56
... visual ( Four 93 ) : The classic dialectic around perception , derives from the fact that it deals with geometral vision , that is to say , with vision in so far as it is situated in a space that is not in its essence visual . ( Four 94 ) ...
... visual ( Four 93 ) : The classic dialectic around perception , derives from the fact that it deals with geometral vision , that is to say , with vision in so far as it is situated in a space that is not in its essence visual . ( Four 94 ) ...
Side 59
... visual culture of the modern and post - modern periods . Photography in its diverse incarnations , from printed media to motion pictures , video , and electronic transmis- sions , has played an important role in an increasing range of ...
... visual culture of the modern and post - modern periods . Photography in its diverse incarnations , from printed media to motion pictures , video , and electronic transmis- sions , has played an important role in an increasing range of ...
Indhold
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
Book Reviews | 144 |
Copyright | |
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ACT-UP ACT-UP Paris aesthetic AIDS Alberto Giacometti anorexia anorexics argued audience Bataille black British black British cultural body British cultural studies Calvin Klein camera cinema claim closet Collard concept context Crawford critics critique cultural studies Cyril Collard Damme Damme's Death of Saint discourse Eliot empire erotic essay ethnicity fantasy female feminine figures film filmmakers French Freud gaze gender geometric perspective heterosexual homoerotic homoeroticism homosexual homosexuels Hüser ideal identification and desire images individual Lacan Lacan's theories lesbian light look mainstream male masculine Miller Minotaure mirror stage modern notion object photography play pleasure poem poem's political Pollak position psychic Psychoanalysis reader reading relation representation role sacred safer sex Saint Narcissus Savage Nights screen Sedgwick sexuality sida Sidaction 96 Silverman social Soukaz spectator surrealist T. S. Eliot television tradition Trans transgressive University viewer visible visual Waste Land woman women writing York