A Critical Approach to Classical Indian PoeticsChaukhambha Orientalia, 1984 - 416 sider Sanskrit poetics. |
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Side 81
... takes even pain as pleasure ; and it is Śṛngāra because it takes man to the acme ( ) of perfection . It should be borne in mind that Bhoja , like Daṇḍin who appears the only major authority for him , holds that Guņas , Alaņkāras and ...
... takes even pain as pleasure ; and it is Śṛngāra because it takes man to the acme ( ) of perfection . It should be borne in mind that Bhoja , like Daṇḍin who appears the only major authority for him , holds that Guņas , Alaņkāras and ...
Side 189
... takes place in another poetic figure , called ' Apahnuti ' ( Concealment ) where also the imposition takes place , but differently from the way it takes place in Rūpaka . ' Abheda ' is of two kinds : First where the Identity is assumed ...
... takes place in another poetic figure , called ' Apahnuti ' ( Concealment ) where also the imposition takes place , but differently from the way it takes place in Rūpaka . ' Abheda ' is of two kinds : First where the Identity is assumed ...
Side 201
... takes place where the poet describes a thing , not actually purposed , in order to suggest the really intended meaning . Take the following example : " The God of Creation washed his hands after having fashioned Rādha's mien . From this ...
... takes place where the poet describes a thing , not actually purposed , in order to suggest the really intended meaning . Take the following example : " The God of Creation washed his hands after having fashioned Rādha's mien . From this ...
Indhold
Vibhāvas ecetera Explained Number | 3 |
yakas Contribution 2231 | 29 |
Mammața Bhaṭṭa Bhānu | 47 |
Copyright | |
Almindelige termer og sætninger
Abhinava Abhinavagupta accepted according Accordingly Āchārya Acharyas aesthetic Alamkāra alluded Ananda Anandavardhana Anubhāvas Aristotle Atiśayokti attributes Auchitya Beauty Bhakti Bhāmaha Bharata Bhaṭṭanāyaka Bhāva Bhāvanā Bhoja called canonists Catharsis cause Chamatkara character charm concept context critical damsel Daṇḍin delineation denotes depicted Desdemona Dhvani drama element elucidation emotion enjoyment enunciated etcetera example experience fact feelings Gunas hero Hindi Ibid impulses inasmuch Indian Poetics Jagannatha Karuņa Kavya Kuntaka Lakshaṇā limbs literary lover Mammața Mārga Māyā Metaphor mind moon Nayikā object Othello pain phrase pity and fear pleasure poem poet poet's poetic figures poetry Rasa Rasa Doctrine Rasa-dhvani Rasābhāsa Rati Raudra readers recognised regarded relish Riti Rudrața Rūpaka Sahṛdaya Sāmājika Sandhis Sanskrit Sattva scholars Shoka soul speech Sphota Śṛngāra Sthāyi suggested Swabhāvokti Theory tion Tithonos Tragedy tragic Upamā Upamāna Upameya utterance Vachyārtha Vakrokti Vamana variety Vārtā Vātsyāyana verse Vibhāvas Vipralambha Vira Vishwanatha Vyabhichāris Vyangyārtha Vyañjanā word and meaning