A Critical Approach to Classical Indian PoeticsChaukhambha Orientalia, 1984 - 416 sider Sanskrit poetics. |
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Side 276
... taken to mean or connote the feeling of pain , caused in the sides by excessive laughter . There is no philosophical basis , for aught we know , for linking the two feelings . Furthermore , how the concluding line , " Our sweetest songs ...
... taken to mean or connote the feeling of pain , caused in the sides by excessive laughter . There is no philosophical basis , for aught we know , for linking the two feelings . Furthermore , how the concluding line , " Our sweetest songs ...
Side 337
... taken profound delight . in depicting the ' Nayika - bheda ' , division of heroines . The vogue of the classification of heroines had ! acquired such a prominence that the olden Āchāryas . of music came to invest the different tunes and ...
... taken profound delight . in depicting the ' Nayika - bheda ' , division of heroines . The vogue of the classification of heroines had ! acquired such a prominence that the olden Āchāryas . of music came to invest the different tunes and ...
Side 383
... taken place if the meaning is the bank of the Gangā . ( V ) " Sceptre and Crown Must tumble down " -This is an ins- tance of ' Shuddhā Upādāna Lakshaṇā ' ,, ( VI ) " Pearls of morning's dew " -Here ' Gauņi Sāropā Lakshaṇa - laksha- ṇā ...
... taken place if the meaning is the bank of the Gangā . ( V ) " Sceptre and Crown Must tumble down " -This is an ins- tance of ' Shuddhā Upādāna Lakshaṇā ' ,, ( VI ) " Pearls of morning's dew " -Here ' Gauņi Sāropā Lakshaṇa - laksha- ṇā ...
Indhold
Vibhāvas ecetera Explained Number | 3 |
yakas Contribution 2231 | 29 |
Mammața Bhaṭṭa Bhānu | 47 |
Copyright | |
Almindelige termer og sætninger
Abhinava Abhinavagupta accepted according Accordingly Āchārya Acharyas aesthetic Alamkāra alluded Ananda Anandavardhana Anubhāvas Aristotle Atiśayokti attributes Auchitya Beauty Bhakti Bhāmaha Bharata Bhaṭṭanāyaka Bhāva Bhāvanā Bhoja called canonists Catharsis cause Chamatkara character charm concept context critical damsel Daṇḍin delineation denotes depicted Desdemona Dhvani drama element elucidation emotion enjoyment enunciated etcetera example experience fact feelings Gunas hero Hindi Ibid impulses inasmuch Indian Poetics Jagannatha Karuņa Kavya Kuntaka Lakshaṇā limbs literary lover Mammața Mārga Māyā Metaphor mind moon Nayikā object Othello pain phrase pity and fear pleasure poem poet poet's poetic figures poetry Rasa Rasa Doctrine Rasa-dhvani Rasābhāsa Rati Raudra readers recognised regarded relish Riti Rudrața Rūpaka Sahṛdaya Sāmājika Sandhis Sanskrit Sattva scholars Shoka soul speech Sphota Śṛngāra Sthāyi suggested Swabhāvokti Theory tion Tithonos Tragedy tragic Upamā Upamāna Upameya utterance Vachyārtha Vakrokti Vamana variety Vārtā Vātsyāyana verse Vibhāvas Vipralambha Vira Vishwanatha Vyabhichāris Vyangyārtha Vyañjanā word and meaning